New Public Art for the College

In memory of Zac Lerner (2003-24) who died peacefully in his sleep at College on 16 March 2024, his family has donated to the College a new major work of outdoor contemporary art by David McCracken, a sculptor based in Auckland. According to McCracken Carlyle and Kurzweil, chasing chasing was a slightly flippant choice of name initially, but turned out to be particularly appropriate. This is his fourth work in a series of circular works, hand-made in steel employing symmetry and “a slightly baroque machine aesthetic” (McCracken), giving a nod to the life Zac led—from Tennis Convener to musician to Paul’s Formal committee to his afro.

The Lerner family has a close association with St Paul’s that began with the commencement of Zac’s eldest brother, Jacob, in 2018. He was followed by brother Ben in 2020 then Zac joined as a fresher in 2022 though his life and time at College were tragically cut short. For Zac’s story CLICK HERE.

The sculpture was unveiled at a ceremony attended by Zac’s family, friends and mates at which it received a Karakia, a Māori blessing, from Paul Samuels, a family friend from NZ.  Entirely handmade, manually cut and welded, it employs no high-tech design or manufacturing. Jacob shared: “McCracken was listening to audiobooks by both authors as he worked on this piece and after hours and days of repetitive welding and grinding it felt like the spirits of the two men were chasing each other around inside his head. Thomas Carlyle, the fulminating reactionary, thundering against progress, and Ray Kurzweil, the hesitant tech-guru sage with his dreams of a techno-optimist future. Only later did Carlyle, who was also a mathematician, do the work in geometry which led to him discovering the so-called Carlyle circle. McCracken went on to find that Ray Kurzweil had written a book entitled The Age of Spiritual Machines.

The work is impressive and is carefully positioned in the grounds so it is captivating from every angle and frames views of the College, plus those Paulines and visitors who will be passing it every day. 

The College acknowledges the generosity of the Lerner family for such an exciting gift that honours a Pauline whose loss is deeply felt.

Students Club Election Results

The Undergraduate community has chosen its Students Club executive and committee for 2025. Congratulations to the newly elected:

  • Senior Student: Matilda Walker
  • Honorary Secretary: Jack Dawson
  • Honorary Treasurer: Gus Gregg
  • Committee Members: Kate Brenner; Will Cox; Jack Rowe; Harry Scambler and Ollie Webster.

The committee-elect begin their roles in the New Year with a retreat to coalesce as a team and to work with the Warden, Dean and residential life staff to formulate plans and goals for the year ahead.

Readers will notice our Senior Student[1] for 2025 is Tilly Walker and we offer her particular congratulations being the first woman to hold this most significant role at St Paul’s. Congratulations on this electoral result. We all wish Tilly and her committee the very best for next year.

The College community acknowledges the work of the incumbent committee under Senior Student Ed Taylor and thanks them for their untiring support for the College, Intercol, and the work they have done and are still doing for the benefit of every member of the St Pau’s community.   

2024 Senior Student – Ed Taylor; Hon Secretary – Alex Robinson; Hon Treasurer – Mitchell Arcus; Rawson Rep – Banjo Cole; Rosebowl Rep – Ami Naito; Palladian Rep – Nick Stack; House Committee – Natalie McRory; House Committee and Palladian Rep: Charles Weston.


[1] In July 1928 the St Paul’s College Students Club was formed under its first constitution and in so doing elected the Senior Student and committee. Prior to this the senior student was the resident who had been longest on the books of the College.  [see Alan Atkinson, Hearts and Minds, 2017 p 246]

Remembrance Day

On 11 November 2024 the College pauses for a commemoration service in the Chapel at 10.30 am and at 11.00 there will be silence in remembrance of those who have given their lives in battle. The form of service is the one used on the very first commemoration of the Armistice on Sunday 17th November 1918.

The Senior Student Ed Taylor and Senior Student-Elect Matilda Walker placed floral tributes and read the names from the Pauline World War One Honour Roll before the sounding of ‘Last Post’, one minute silence, and ‘Rouse’ at 11 am.

“Greater love hath no man than this, that a man lay down his life for his friends” [John 15:13]

For more about Remembrance Day from the Australian War Memorial CLICK HERE

Five Star Review for the Impresario Players

Murder’s in the Heir – a Knives Out Mystery from the Impresario’s players, the Waddy Theatre – 12 October 2024

⭐️⭐️⭐️⭐️⭐️

from our own Lady Whistledown

It was a dark and stormy night.

12 possible murder suspects are gathered in the house of Simon Starkweather; family members, staff and (conveniently) a Private Detective, all brought together for a public reading of his will. Starkweather is worth billions, and he is at death’s door, as evidenced by artfully placed talcum powder in young Henry Flint’s all-too-lively hair. Never fear, a will has been drawn up that divides his fortune between his remaining family members, barring small amounts to be given to his long-suffering staff – one third to niece Fiona Starkweather and her son Jordan (Vered Lalrinpuii and David Vacek), one third to his great-niece Paula Thompson (Claudia Hall), and the last to grandson Simon Starkweather III (also Henry Flint). However, in a shocking twist right at the top of the show, Simon Starkweather Sr has decided to clone himself, effectively leaving his entire fortune to his clone, to be born via surrogate, his PA Kathy Collins (Kate Mountain). The family members will each receive a small amount of money – a fraction of what they were originally promised. This second will is being drawn up this very night by lawyer Lois van Zandt (Katherine Rosen), and will become valid when Starkweather signs the dotted line. 

It will come as a surprise to no one that Starkweather is found dead a short time later. There is a blackout, and the old man is wheeled out into the living room, with a blood pressure cuff wrapped around his neck and drops of red liquid on his shirt.

So, who did it?

By the time the interval rolled around, we the audience were none the wiser about who the culprit could be. The ending hadn’t been set up at all, which is to say that everyone had been framed as a possible murderer. Was it the elderly Fiona Starkweather, convincingly portrayed by Vered Lalrinpuii, with her clumsily spilled deadly heart medication; or her sleazy son Jordan who was out to get everything he wanted, including maids and personal assistants? David Vacek put in a wonderful performance in this role, and assured the reviewer he was only pretending. Could it be Paula, the gun-toting niece who revealed to us all that Claudia Hall can do an extremely convincing southern accent? The Lawyer and the PA aren’t suspects because they have no motive. Katherine Rosen showed some real acting chops as lawyer Lois van Zandt, and this was clearly not her first rodeo. The same can be said of Kate Mountain in her role as the sweet Kathy Collins. The Private Detective is also immune, as is the heir Simon Starkweather III because he didn’t arrive until after the interval, and he is footing the bill for the investigation after all…

How about the staff? Mrs Trent, the housekeeper knows and sees everything. Mahati Garimella delivered her lines with impressive force, and showed a rarely-seen side to the quiet, sweet Mahati who resides here with us all. Bensonhurst the Butler, played ably by Claudio Garcia, was suspiciously carrying a wrench around in the middle of the night, so could the killer be him? Claudio’s right eyebrow completely stole the show as he broke the fourth wall conspiratorially. Nancy Pollard the maid was present during much of the action, and Ava Greay acted admirably, having to fend off Jordan’s advances and defend her life choices to the cook, Minerva Walker. Justina Emoh played Minerva with sass and pizazz, ominously brandishing her meat cleaver and waving it around like a would-be murderess. Miss Withers the Nurse, played by Juhi Joshi, was not happy about having to put up with the cranky old Starkweather, so her motives for doing away with the old man were plentiful. Juhi was a convincingly fed-up nurse, and didn’t smile once throughout the whole show, made all the more impressive because she is rarely seen without an enormous smile when not in character. Jim Wong Ulrich played Rufus, the loveable village idiot in hi-vis, and delivered a performance that can only be described as Jim. He was the catalyst for much raucous laughter as he appeared on stage with various household items, including an axe that needed to be brought inside and dried – a perfect murder weapon, no?

With all of these suspects and plenty of motives floating around, how was Detective Mike Davis supposed to wade through the evidence and find the killer? Paddy Golemo was very convincing in this role, endearingly portraying the unsuspecting detective thrown into a murder investigation. He and Henry as Starkweather III questioned each character until they happened upon the killer, and – spoiler alert – it was Paula who wanted to ensure that she got her rightful inheritance. The giveaway was the red candle, given to her by the housekeeper, that had dripped on poor Starkweather’s shirt. Given the vast array of potential killers, it was no surprise to learn that the play had been rehearsed with alternate endings, and each of the characters was a potential killer. The votes that were cast by the audience at the interval did in fact determine the killer, and this was a very clever device from playwright Billy St John.

Well, a rollercoaster was promised and that is certainly what was delivered. Directors Nusrat Asad and Kate Mountain put in a huge amount of effort to bring this play to fruition, and deserve bouquets for their dedication and wonderful skill. They pulled together an extremely entertaining night of theatre, ably assisted on sound and lighting by our own David Wright, as well as Lauren Lim, Jethro Mahon, Alan Huang, Sharon Chou and Simon Homsany, all in various supporting roles. I left feeling very glad to have this abundance of talent and wealth of generosity among the members of Graduate House, and looking forward to what the Impresario’s Players will produce next. 

If nothing else, let us take a lesson from David Vacek and Paddy Golemo, and forge on with the show at all costs. 

BL

Another Mummers Triumph

For their second play in 2024 and second in the Waddy Theatre the undergraduate theatrical company, St Paul’s College Mummers, presented one of the largest productions seen in many years over three shows on 25, 26 and 27 October. No less than fifteen cast members were needed to present a re-write of all 37 of William Shakespear’s plays. “The Complete Works of William Shakespeare (Abridged) [Revised] {Revised Again} and Rewritten” by Adam Long, Daniel Singer and Jess Winfield was directed by Ryan Bond assisted by Freya Carmody, William Nicholas and Max Philips.

“The Complete Works …” was originally performed by its creators Long, Singer and Winfield at the 1987 Edinburgh Fringe. Being a ‘hit’ it remains the second longest-running West End comedy in history and has been translated into over thirty languages. It is described as a vaudeville show in which three charismatic, ambitious actors attempt to present all of Shakespeare’s plays in a single performance. It is a hilarious time as the players make a meal out of the rudimentary concept of the stories and imperfectly memorized famous lines (source: Google Books).

The Mummers cast was: Max Philips; Freya Carmody; William Nicholas; Charlotte Hocking; Sam McCredie; Helen Jordan; Olivia McMillan; Felix Power; Jack Rowe; Ryan Bond; Jennifer Pilarinos; Annika Johnson; Archie Taylor; Heidi Best; and Grace Newton. They were well supported by the crew of: Ryan Bond – producer/director; Ben Varela – stage manager; Jack Beck, Gillian Lawrence, Robbie Sanderson – backstage; Ria Alva – designer; Ines Treharne, Tahlia Sorgiovanni, Grace Morrow – costuming; Ines Treharne, Greta Bourne – makeup; Ria Alva, Matilda Johnson, Greta Bourne – set design; Aiden Cheung, Sophie Wright – props; Milly O’Connel – lighting; Alex Mudri – sound; Gilliam Lawrence, Matilda Johnson, Tia Durovich, William Chang – photography; Jack Rowe – afters; and special thanks to Jack Stephens, Jack Vukasovic, Karyn and Steve Bond.